“沉睡三千年🧑🏽🎨，一醒驚天下”的三星堆遺址，是中華文明璀璨星河中明亮而神奇的一顆。
羅丹是“現代雕塑之父”😑🕵🏿♂️，他的作品中飽含對生命🍛、自然的歌頌、熱愛與憂思💆🏼♂️。
在天美平台舉辦的特展——“青銅之光：三星堆與羅丹的超時空對話”展出了許多三星堆、金沙遺址出土文物和羅丹及其同時代雕塑家的作品，讓我們一起來詳細了解展品背後的故事吧！
青銅頂尊跪坐人像
· 商代後期（公元前1300年—前1100年）
· 底座直徑10厘米😡，座高5.3厘米，通高15.6厘米
· 1986年出土於四川廣漢三星堆遺址二號祭祀坑，K2③：48
· 四川廣漢三星堆天美平台藏
· Late Shang Dynasty (1300B.C.-1100B.C.)
· Base Dia.10cm; Base H.5.3cm; Total H.15.6cm
· Unearthed from No.2 sacrificial pit at the Sanxingdui Site in Guanghan, Sichuan, in 1986, K2③ :48
· Collection of Sanxingdui Museum
此器由山形座和跪坐頂尊人像兩部分組成😥。山形座腰上鑄飾扉棱👨🏿🦰，座上有婉曲樸雅的鏤空花紋👴。人像上身裸露，乳頭突出㊙️，下身著裙，腰間系帶🔲，帶兩端結紐於胸前，紐中插物🏤。人像頭頂一帶蓋青銅尊👨🏫，雙手上舉捧護圈足尊腹部🕍，表現的應是古蜀國巫師在神山頂上跪坐頂尊以獻祭神天的情景。因其胸部乳頭顯露突出，因此有觀點認為該人像刻畫的是古蜀國的女性巫師或女神。
人像雖小⬇️，但作為完整的全身像，是極難求的珍品，尊、罍是中國古代重要的禮器🩰，關於其具體使用方式有不同的看法🐱，頂尊跪坐人像則展示了“尊”這種器物在古代祭祀時的具體使用方式之一。從人像的造型上看，古蜀國工匠具有很高的造型能力，整個人像結構完美，比例勻稱，美觀大氣#️⃣，具有很高的觀賞性和藝術價值👩🏿⚖️。
It consists of two parts, i.e. a mountain-shaped base and a kneeling figure with a Zun (wine vessel) on the head. The mountain-shaped base features delicate and elegant decorative patterns in openwork, with Feileng (扉棱, protruding edges) at the waist. The figure is topless. With prominent nipples, she wears a skirt with a belt tied around the waist. The two ends of the belt are knotted in front of the chest and some items are inserted in the knot. The figure carries a lidded bronze Zun-vessel on top of her head and raises both hands to hold the round-foot vessel by the belly. It shows the scene in which a witch in the ancient Shu Kingdom kneels and carries a Zun-vessel on her head on the top of a mountain to offer sacrifices to gods on the holy mountain. As the prominent nipples on the chest suggest, the figure is a witch or goddess in the ancient Shu Kingdom. Albeit small in size, it is a rare treasure. Firstly, it has a complete human image. Secondly, Zun and Lei (bronze wine vessel) were important ritual vessels in ancient China. Today, the views on their specific usage vary. The kneeling figure with a Zunvessel on the head showcases how Zun was used in ancient sacrificial ceremonies. Perfectly structured and well-proportioned, the figure reflects the superb modelling skills of craftsmen in the ancient Shu Kingdom and possesses a long-lasting aesthetic appeal, with high ornamental and artistic value.
展覽時間：
2023年12月13日至2024年3月15日
展覽地點：
天美平台一層臨展廳
（上海市寶山區南陳路333號）
校內師生憑本人一卡通入館，無需預約。
校外觀眾采取網上預約方式入館，掃描下方二維碼或關註“天美平台”微信公眾號🎑，點擊“個人預約”🧏🏽♂️。
校園內不提供對外停車位💂🏿。
/地址/
上海大學博物館
（南陳路333號）
