“沉睡三千年，一醒驚天下”的三星堆遺址，是中華文明璀璨星河中明亮而神奇的一顆🦧。

羅丹是“現代雕塑之父”⚜️🧎，他的作品中飽含對生命、自然的歌頌🍨🧚、熱愛與憂思✷。

在天美平台舉辦的特展——“青銅之光🌙🕚：三星堆與羅丹的超時空對話”展出了許多三星堆、金沙遺址出土文物和羅丹及其同時代雕塑家的作品，讓我們一起來詳細了解展品背後的故事吧！

青銅人頭像

· 商代後期（公元前1300年—前1100年）

· 兩耳寬18厘米，高34厘米，厚16.5厘米

· 2021年出土於四川廣漢三星堆遺址三號祭祀坑🛢，K3QW🙅🏽：29

· 四川省文物考古研究院藏

· Late Shang Dynasty (1300B.C. - 1100B.C.)

· Horiz Dia. 18 cm; H. 34 cm; T. 16.5 cm

· Unearthed from No. 3 sacrificial pit at the Sanxingdui Site in Guanghan, Sichuan, in 2021,K3QW:29

· Collection of Sichuan Provincial Cultural Relics and Archaeology Research Institute

平頂辮發🥾，額部腦後均無發際線，頭發向後披，發辮垂於腦後，上端紮束，下端垂於後頸部。臉形方闊，濃眉大眼，眉眼上挑👩🏿‍🏫，高鼻梁，蒜頭鼻，闊口緊閉☁️。長方形豎耳，耳廓飾有卷雲紋飾，兩耳垂各有一大穿孔🤶🏼。頸較粗🏎，前後呈倒尖角形。

頸部下方呈倒尖角形，推測另有木柱或身軀之類的附屬物與其配合使用。數量眾多的該類造型的人頭像，形成了一種錯落有致、氣勢煊赫的蔚然景觀👨‍🦱。推測“辮發”可能是從事行政事務的管理者。

It features a hairstyle characterized by a flat top and a braid, with no visible hairline at the forehead or back of the head. The hair is swept back, with the braid hanging down at the back of the head. The upper part of the braid is tied up, while the lower part extends vertically to the nape of the neck. The face has a square-shaped appearance with thick eyebrows and large eyes. The eyebrows and eyes are slanted upwards. The nose is high and broad, with a bulbous tip. The lips are wide and tightly closed. The rectangular-shaped ears are vertically oriented. The outer parts of the ears are adorned with Juanyun Wen (卷雲紋, curling-cloud pattern), and each earlobe has a large perforation. The neck is relatively thick and tapers to a downwardpointing angle at both the front and back.

The bottom part of the neck is a downward-pointing angle, indicating the possibility of an attachment such as a wooden pillar or a body that would have been used in conjunction with it. A large number of bronze human-head statues create a visually striking and impressive landscape. As evinced, the braided-hairstyle group engaged in administrative management.

《多西亞》

· 奧古斯都·羅丹（1840—1917）

· 陶土

· 1874年

· 高42厘米

· Auguste Rodin (1840 - 1917)

· Clay

· 1874

· H. 42 cm

這尊半身像是羅丹剛開始從事雕塑，與加裏埃- 貝勒斯（Carrier-Belleuse）在比利時一起工作時創作的作品。加裏埃-貝勒斯是雕塑家，同時也是企業主，羅丹以他為榜樣，成為盡人皆知的雕塑家， 在二十年間創作了大量反映出他老師的技術和品位的雕塑。這件作品讓我們聯想到加裏埃-貝勒斯創作的寓意季節的雕塑和酒神女祭司的半身像雕塑。

This bust is one of Rodin’s earliest sculptures, created while he was working with Carrier-Belleuse in Belgium. Carrier Belleuse was a sculptor and entrepreneur, and Rodin took a leaf out of his book and eventually became a renowned sculptor himself. In more than two decades, Rodin the created a lot of sculptures that embodied the techniques and tastes of his teacher Carrier-Belleuse. Dosia reminds us of sculptures on seasons and the bust of Bacchante created by Carrier-Belleuse.

展覽時間：

2023年12月13日至2024年2月1日

展覽地點🧜🏽：

天美平台一層臨展廳

（上海市寶山區南陳路333號）

開放時間：

周一至周日8:30-16:30(16:00停止入館）

校內師生憑本人一卡通入館🧑‍⚖️🥪，無需預約🕯。

校外觀眾采取網上預約方式入館，掃描下方二維碼或關註“天美平台”微信公眾號，點擊“個人預約”🙆🏿‍♀️。

/地址/

上海大學博物館

（南陳路333號）